On this episode of The Digital Life, we chat about the frontiers of CGI and how we might approach it as reality and the virtual become increasingly indistinguishable. In a video essay, “Goodbye Uncanny Valley” in Aeon online magazine, artist and animator, Alan Warburton, explores this topic, examining everything from Hollywood blockbuster to political propaganda to digital art. What are the agreements that we make as a society regarding what is fact and fiction? How do we make decisions about important issues? Have we reached the post truth era? And, if so, how do we create policy when we have such powerful technology capable of both distorting and augmenting our experience of reality? Join us as we discuss.
Goodbye Uncanny Valley